A Place For Dwelling

Upon arrival at the dwelling’s east side, visitors are naturally guided toward the entrance by the void beneath the structural elements—an interplay between gravity and levity that defines the spatial experience. Crossing the threshold, they are enveloped by a dimly lit interior, where shafts of light pierce through the walls, casting dynamic patterns across the surfaces. A break in the roof allows a band of light to stream in, illuminating the back wall and further shaping the atmosphere within.

Inside, the dwelling offers a sanctuary for rest and contemplation. A central picture window frames an outward view, creating a moment of connection between occupant and landscape. Directly above the bed, a skylight bathes the space in warm natural light, offering an opportunity for stargazing in the evening hours.

As one moves through the space, a floor-to-ceiling picture window bisects the interior, providing an unobstructed view of the pond beyond. Adjacent to the window, a bench serves as a place of repose, encouraging relaxation and engagement with the surrounding environment. Stepping outside, the exterior porch—lined with tall grasses and nestled beside a tranquil pond—invites visitors to pause, observe, and immerse themselves in the natural setting.

This project began with an analytical study of Bait Ur Rouf, a mosque in Dhaka, Bangladesh, designed by Marina Tabassum. Through tonal renderings and diagrammatic analysis, I examined the role of apertures in shaping natural illumination. A tactile investigation using clay modeling allowed for iterative refinement, exploring how light could be sculpted through the deliberate subtraction of material.

Through continued development, a displacement-based module emerged, forming the foundation of a spatial composition. The resulting design integrated key experiential elements—an entry threshold, a framed aperture for viewing, and defined zones for repose, observation, and interaction—creating an environment that encourages engagement with both light and architectural form.

The structural study progressed into the development of a tectonic framing system, informed by the interplay between gravity and levity. Through multiple design iterations, a final composition materialized—one that maximizes natural light penetration while fostering a serene and immersive atmosphere suited for artistic reflection and creative work.

With the dwelling complete, focus shifted to site integration. Inspired by the historic landscape of Monte Ne on Beaver Lake, a series of analytical sketches captured spatial and environmental characteristics, leading to a precedent study of The L-House in Valle de Bravo, Mexico. Clay site modeling facilitated rapid experimentation with terrain, enabling a strategic balance between public and private realms and reinforcing the dynamic relationship between architecture and landscape.